题目信息

Jacob Burckhardt's view that Renaissance European women "stood on a footing of equality" with Renaissance men has been cited by feminist scholars as a prelude to their presentation of rich historical evidence of women's inequality. In striking contrast to Burckhardt, Joan Kelly in her famous 1977 essay, "Did Women Have a Renaissance?" argued that the Renaissance was a period of economic and social decline for women relative both to Renaissance men and to medieval women. Recently. however, a significant trend among feminist scholars has entailed a rejection of both Kelly's dark vision of the Renaissance and Burckhardt's rosy one. Many recent works by these scholars stress the ways in which differences among Renaissance women-especially in terms of social status and religion-work to complicate the kinds of generalizations both Burckhardt and Kelly made on the basis of their observations about upper-class Italian women.


The trend is also evident, however, in works focusing on those middle- and upper-class European women whose ability to write gives them disproportionate representation in the historical record. Such women were, simply by virtue of their literacy, members of a tiny minority of the population, so it is risky to take their descriptions of their experiences as typical of "female experience" in any general sense. Tina Krontiris, for example, in her fascinating study of six Renaissance women writers, does tend at times to conflate "women" and"women writers," assuming that women's gender, irrespective of other social differences, including literacy, allows us to view women as a homogeneous social group and make that group an object of analysis. Nonetheless, Krontiris makes a significant contribution to the field and is representative of those authors who offer what might be called a cautiously Optimistic assessment of Renaissance women's achievements, although she also stresses the social obstacles Renaissance women faced when they sought to raise their "oppositional voices." Krontiris is concerned to show women intentionally negotiating some power for themselves (at least in the realm of public discourse) against potentially constraining ideologies, but in her sober and thoughtful concluding remarks, she suggests that such verbal opposition to cultural stereotypes was highly circumscribed; women seldom attacked the basic assumptions in the ideologies that oppressed them.

According to the passage, Krontiris's work differs from that of the scholars mentioned in line 12(shown in boldface) in which of the following ways?

A:Krontiris`s work stresses the achievements of Renaissance women rather than the obstacles to their success.
B:Krontiris`s work is based on a reinterpretation of the work of earlier scholars.
C:Krontiris`s views are at odds with those of both Kelly and Burkhardt.
D:Krontiris`s work focuses on the place of women in Renaissance society.
E:Krontiris`s views are based exclusively on the study of a privileged group of women.
参考答案及共享解析
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正确答案: E:Krontiris`s views are based exclusively on the study of a privileged group of women.
题目类型:细节题


选项分析:

定位到The trend is also evident, however, in works focusing on those middle- and upper-class European women whose ability to write gives them disproportionate representation in the historical record.

意思为:上段 末句批判了对 upper-class Italian women 的 generalizations 的问题,而这句话在说对 middle- and upper-class European women 同样出现了 generalizations 的问题(这里 的 generalizations 和 disproportionate representation 是同一个概念,部分推整体,结论不具有代表性。也就是这句话开头的“the trend”。这三个词都指这个概 念。)那么这个 however 是转折“observations about upper-class Italian women” 与“works focusing on those middle- and upper-class European women”,即不仅 “对高阶层意大利女人的观测”有这个问题,然而(没想到)“有关中高阶层欧洲女人的作 品”(居然)也有相同问题。正确答案为E

 


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